Thursday, February 10, 2011

Rodarte: The Curve of Forgotten Things (2011)

This is not just any other fashion film. It carries a hidden meaning of environmental conscious all through the eight-minute short film.

I love the brownish tone, and I also love the light which gives the sunny day feel. It's not a warm sunny day but a hot dry day with a bright sunlight. 

Elle Fanning is all grown up. She looks tall and big now. She is undoubtedly a great actor although there is not much acting to do here.








The first green outfit is something. I love the detail especially the back and the wrists.




 This blue plaid outfit is well-made. There are little details you may not be able to see here, but if you look closely to a few pleats made around the upper thigh part of the pants.







This is my favorite skirts. I love the v-cut on each layer, especially when she moves and all the layers blooming out. Fascinating. And, the pretty roses graphic of the blouse is very beautiful.


However, for this scene, I don't know what they want to tell here. She was like a ghost dancing through the wall.






I superbly love this dress, my favorite from every Rodarte piece. I love the upper part so much. It's just so perfect for white and blue-purple to be together and I love the pattern with this material! Even though, the lower part is not my favorite, but together it's stunning.
I'm obsessed with backless items. And, here it is, though it's not deep but this will be just fine. :)








The gold dress truly deserves to be the finale. I'm so dying for the shoes. But the dress may be too gladiator, you think? But, I love the shoulders part, totally creative yet stunning. 




Somehow I find the ending scene too weird. So she is an alien? She is like visited this town she used to spend days in and felt disappointed then returned to her planet? Huh. Creative theme.

No matter how cliche the plot could be, I find this short film worth watching.
Firstly, the clothes are beautiful.
Secondly, it carries an environmental conscious smoothly, well, at least it doesn't feel like they are trying too hard to put it in.

But, honestly, I find the ending scene funny, regardless how beautiful the light is.


x
Lady R.

Rachel Zoe Fall Ready to Wear 2011: WHAT? No Caftan?

I have been anticipating a lot ever since I know that the famous stylist, Rachel Zoe, is to do the clothing line.

And, finally, it's here!

With the name of Rachel Zoe, this is surely going to be an IT brand which will be immediately embraced by celebrity-fashion-icons.

There are many suits which are, from what I could see, well-tailored.

( This red suits is impressive. )




What I love most about the collection is fur!!! They are all "BEYOND"! "I'M DYING."

( This jumpsuit is immensely chic! )



Oh. This military suit is superb! I would feel very smart wearing it.

 
And I'd like to compliment the make-up for this model in particular. I love how they use an earth-tone blush-on on this very bright skin model, also how they blush it on her cheek. Marvelous.


However. Yes. There is however here. However, probably this is a very new brand, although it's sure to be known and watched by the whole fashion world, some model choice is just unacceptable.


Isn't it too black? No offense intended. I mean, I rarely see the detail of the clothes. Wouldn't it be better for her to wear a red dress?


I'm surprised there is no caftan. Not even one caftan, or anything similar. Because I anticipated for it a lot. Caftan is sooo Rachel Zoe, which is one item I would love to own.

Anyway, overall the collection is pretty much acceptable, but truly Mrs. Stylist, I expect more.

x
Lady R.

Thanks: Style.com

Tuesday, February 8, 2011

Gemma Ward: Model on a roll






SHE'S been a virtual recluse since friend Heath Ledger's death. But now supermodel Gemma Ward is back. 
 
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BACK in 1997 when the school play was being cast, the most beautiful girl in the class waited for her name to be called. The play was Hansel and Gretel , and she would be Gretel. Of course.

No one else could play Gretel like she could and everyone knew she desperately wanted the part.

But when the most beautiful girl was given her role, it was as if she'd been handed a poisoned apple. "You," said the teacher, "will be the witch."

The most beautiful girl flew into a rage. How could this happen? If you're beautiful, you're good, if you're ugly, you're bad. It's as simple as that when you're a child.

Behind every beautiful face there is always a story. And the girl with some of the most delicately mesmerising features in the world today is peeking out again after three years inside a self-imposed tower. It is time to step out from behind the magazine cover and write the next chapter.

Gemma Ward is a model - a supermodel - and it's a career she hugs with pride. But her true passion was born in a school play in Perth in 1997 - a clumsy production in which she learned it's the person inside the costume who counts, not just what they're wearing. And to be that person you have to act, and that's when young Gemma fell in love with the magic of make-believe.

"I got on stage for the first time when I was seven," she recalls. "From seven until I was about nine it was probably more to do with just being on stage and having the attention.

"But when I was nine, I did the Hansel and Gretel  play with a very wacky teacher who, when I look back now, really did steer me in the right direction.

"Anyway, I had been acting for a couple of years and it was something I decided I wanted to do with my life. But she didn't cast me as Gretel and I was devastated.

"So I approached her and said, `I don't really know why you didn't give me Gretel. It was the role I wanted and everybody else in the class didn't - there was nobody who wanted it as much as me'."

"I was very precocious about it. It was life or death for me, but she gave me the role as the witch and she said to me `Gemma, I gave you this role because I knew it would be the most challenging and also the most rewarding.' She was right. I immersed myself in the whole character.

"I got the voice right and the cackle, and it became a character study. And for the first time I realised it wasn't me being on stage getting the attention, it was really getting absorbed in somebody who wasn't me and losing myself.

"So that was the moment when I said, `Ok, now I know what acting is; now I know what this is really about.' Yes, that was quite exciting."

Gemma Ward's is quite a Cinderella story. Discovered by a modelling agent in 2002, the 14-year-old soon had the fashion world in a spin with her ethereal, wide-eyed look and gangly grace. Within a year she was in Italy meeting Prada creator Miuccia Prada. At 16, she was on the covers of US Vogue  and Time  magazine, and at 17 she was the face of Calvin Klein's Obsession Night perfume.

In 2006, she was earning $25,000 to stride the catwalk and a year later Forbes  magazine named her in the US Top 10 money models with an annual haul of $3.5 million. The glass slipper was obviously a perfect fit.





But as she sits in her New York apartment rugged up against a cold winter's night and gazing at a giant map of the world that dominates one wall, she is the first to admit that a fairytale can fracture. And Gemma's clock struck midnight with the untimely death of fellow Perth actor Heath Ledger, whom she had met in New York in November 2007, just before her 20th birthday.

"We were both struggling with things that I won't get into, and we bonded over that," she says.

"He said, `You know, let's just be there for each other through these hard times we're both going through.' And we developed a relationship and started seeing each other."

That Christmas they returned to WA and met each other's families. But less than a month later, on January 22, 2008, Ledger was dead from an accidental prescription drug overdose. Gemma mourned in private, returning to Perth for Ledger's funeral.

"I have taken a break from the spotlight for the last few years and it was something spurred by Heath's death," she says pensively.

"So it was a retreat from many things in my life. I didn't know how long it would take, I didn't know if it would solve anything but I set out to really focus inside myself."

During most of our conversation, the striking supermodel laughs. And laughs. Giggling and gorgeous. But when talking about Ledger, she is solemn and wistful.

"He was an incredible person, unlike anybody I've ever met," she says. "He was one of a kind - extremely sensitive, extremely honest, extremely generous. He was somebody who gave his all to everything - no matter if it was the person in front of him serving coffee or the role he had immersed himself into - down to the finest detail of his character.

"He was a devoted father. I will never forget seeing him with Matilda and the way she looked at him and the way they were together - she was his whole life and he loved her so much.

"He was not only somebody I greatly admired and who was fun to hang out with but someone who really did change my life. He got me to reassess and look deeply at things and focus on things that really mattered."

So when the catwalk princess returned to Perth for Christmas, it was as if a fairy godmother was hovering nearby when Melissa Cantwell from the Perth Theatre Company came calling.

The award-winning artistic director had long been a fan of the supermodel's creative side and believed she was a perfect fit for the play, The Ugly One,  a contemporary drama which centres on society's fascination with physical beauty.

Gemma read the script in an hour and was smitten.

"It's something I've dreamed of for many years," she says. "Melissa talked to me a little bit about the script but she kind of left it up to me to read and see if I liked it.

"So I drove home very fast and sat down and started reading the script. Mum was like `So, how did the meeting go?' and I was like `Hold on two seconds. I have to read this straight away' and I got through it in, like, an hour or less.

"I was laughing hysterically the entire way through it. I called Melissa up and said I loved it and would die to be a part of it."

With rehearsals and performances, she'll be in Perth for almost three months, back among family where the seduction of the stage began.




Her father, Gary, is a doctor. Her mum, Claire, is a nurse. Older sister Sophie models and writes, and she has younger twin brothers, Oscar and Henry. "I have a very, very creative family," she says. Getting lost in a book or the fiction of fairytales was a hobby for Gemma as a child. And her knowledge of Hans Christian Andersen resonated when she was offered the role of Tamara, Queen of the Mermaids, alongside Johnny Depp and Geoffrey Rush in Pirates of the Caribbean: On Stranger Tides , which comes out in May.

"As a child, I was a clown," she says. "I didn't hesitate to make a fool of myself and I would love to completely take on wacky characters.

"To make my brothers and my sister laugh was the greatest joy to me in my life. I like people who can make fun of themselves a lot.

"I think if you can make fun of yourself, it's a great thing and I find that very appealing."

And maybe that's why she's so comfortable in her own skin. During her early modelling days, international fashion news was dominated by the Italian campaign to banish schoolgirls and skeletal waifs from Milan's catwalks.

Today, debate bubbles along about what actually is the perfect size for a photo shoot. Ward looks on comfortably.

"I wasn't a child when I started out. I was a teenager," she says. "I wasn't all that innocent, either. I wasn't taken advantage of; I knew what I was doing.

"I'm definitely not regretful of anything. I look back with pride on everything I've done."
And what about the future - in, say, 10 years? Will she still be in New York, or back in Australia?

"Gosh, 10 years," she says. "I'll be 33. I would like to have started a family by then. My mother is my greatest inspiration - my father, too - and one day I'd love to have a family and raise them just like we've been raised."

And, of course, they'd all live happily ever after.


http://www.adelaidenow.com.au/ipad/gemma-ward-model-on-a-roll/story-fn6br97j-1226000788861

Friday, January 28, 2011

Armani Prive Spring Couture 2011: Hello Future!

Hello there, Future!

For these past 20 years, 2011 had believed to be a Space Era. People back then might imagine we would be living in houses like seen in Star Wars.

But. Unfortunately. We are not. We're still living in houses made from brick and stone, and to be exact, not much different from those 20 years ago.

Armarni Prive  might be just the dream comes true for those dreamers. It's all about si-fi movies; the rubber-looking like materials mixing with the farmer hat.
I love si-fi movie. I really do. But, frankly Monsier, these might be way too much. I'm not much impressed by the collections like I had always been.





"We have arrived to the future." - Carrie Bradchaw.

x
Lady R.

Thanks: Style.com

Monday, January 17, 2011

Review: Golden Globes 2011

Twitter actually encourages me to write a review on this award event. Since I woke up til now that almost everyone on my timeline has tweeted pictures of dresses on the red carpet, proving me I actually live in the Social Network Era.

First of all, I would have to say this year golden globes is fashionably marvelous; lots of stars attend and most of them are fashion-savvy.

Let's talk about the overall trend on the red carpet this year, it seems like the sparkling dresses and champagne color are in! 


Top 5


Jennifer Lopez in Zuhair Mura.



It's literally hard to pick my most favorite between the first and the second. However, at the end I decided to give the place to J. Lo because her look is an absolute goddess. It could be a normal plain spaghetti white dress, but with the addition of the see-through diamond-embroided chiffon, it just turns everything around.
But, just one thing. only one thing of this true-diva look that I DON'T LIKE is the make-up around her eyes. The white eye-shadow. Uh-oh.


Sandra Bullock in Jenny Packham.


It's funny enough that the designers of my both top 2 favorites are unknown to me. I kind of familiar with Ms. Lopez's but not with Sandra's.
The first time I laid my eyes on just the upper part of the dress, I die! No matter how much her hair irritates me, I would still want to die for the dress.
But, to be honest, I am a little disappointed when I see the whole gown.
Doesn't it a little bit too much? My suggestion would be to maintain the upper part of the dress but exclude the way-too-much-embroidery lower part, change it to just a normal champagne color. 


Claire Danes in Calvin Klein Collection.


This is the best look out of all. Everything is perfect; the hair, the make-up, and the dress. Just perfect. As the two previous looks have at least one thing I don't like. But I love everything in Claire's look.


Leighton Meester in Burberry Prorsum.


How could I not talk about his girl?
This is surely on my favorite Leighton's look list. I love the purse, the shoes, and fabric. Very very elegant and lovely.


Olivia Wilde in Marchesa.


People are talking about her dress. This is the first dress that I've seen from the event. It looks stunning. Marchesa has never let anyone down. But only thing I don't like about the look is her hair. Wouldn't it be more suitable for the dress with other style of the hair; this is not the right fit.
Note: Oh. The shoes are fierce. Love them.


Best Hair

Kelly Osbourne.


Maybe because of this angle of the picture makes everything looks better. She just looks classic. The hair looks formal but not too formal, well-formal for the dress and an event, however, it still looks not-too-formal which goes perfectly well with her age.
I love the way the earring looks here.

And big congratulation to the loveliest mom-to-be, Natalie Portman! Looks very cute in Viktor&Rolf.




x
Lady R.


Thanks: Justjared